A child-sex predator is on the loose and Detective Lennox, terrified and determined is going to protect the victim at any cost.
Detective Inspector Ray Lennox has fled to Miami to escape the aftermath of a mental breakdown induced by occupational stress and cocaine abuse, and a harrowing child-sex murder case back in Edinburgh. But his fiancée Trudi is only interested in planning their wedding, leaving Lennox cast adrift, alone in Florida.
A coke-fuelled binge brings him into contact with another victim of sexual predation, ten-year-old Tianna, and Lennox flees across the state with his terrified charge, determined to protect her at any cost.
Can Lennox trust his own instincts?
And can he handle Tianna, while still trying to get to grips with the Edinburgh murder?
'Welsh is one of our most interesting writers' Sunday Telegraph
'A disturbing but vital read' Harper's Bazaar
*DISCOVER THE SECOND NOVEL IN IRVINE WELSH'S CRIME SERIES, THE LONG KNIVES, NOW*
1 of 1 copy available
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Creators
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Publisher
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Release date
December 2, 2008 -
Formats
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OverDrive Read
- ISBN: 9781407018041
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EPUB ebook
- ISBN: 9781407018041
- File size: 632 KB
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Languages
- English
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Reviews
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Starred review from July 28, 2008
Welsh's most coherent and satisfying novel in a decade showcases the Scottish author's inimitable combination of dark realism, satire and psychological insight. Having been placed on leave after suffering an emotional meltdown, Edinburgh detective Ray Lennox, introduced in Filth
(1998), and Trudi, his fiancée, fly to Miami for a few days to relax and plan their wedding, but from the start the trip is a nightmare. Lennox gobbles antidepressants and begins drinking again in a desperate frenzy, but things really tilt out of control when he parties with some locals, who reacquaint him with an old obsession, cocaine. One of his new “friends” has a 10-year-old daughter, who's been targeted by an organized ring of pedophiles. Can Lennox save the girl and redeem himself? The main action alternates with chapters set in Scotland, written from a claustrophobic second-person point-of-view. Welsh offers no easy answers in this complicated, unsettling and at times beautiful novel.
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